Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. (Calder 1966, 22) Spring: The Calders move to a new house on 555 Linda Vista Avenue.

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Of the whole trip this impressed me most of all; it left me with a lasting sensation of the solar system.

Texts by René Barjavel, Gérard Bauër, Michael Butor, Jean Cassou, Jean Cocteau, Raymond Cogniat, Pierre Daninos, Pierre De Latil, Michel Del Castillo, Guy Dorans, Albert Ducrocq, Florent Fels, Georges Friedmann, Pierre Gascar, Waldemar George, Isis Kischka, André Labarthe, Henri Mondor, Jean Rostand, Adam Saulnier, Georges Simenon, Francis Viaud. (Calder 1966, 51) 9 June: Serving on the It was early one morning on a calm sea, off Guatemala, when over my couch—a coil of rope—I saw the beginning of a fiery red sunrise on one side and the moon looking like a silver coin on the other.

(ASL, registration records) Before 3 May: Calder begins his first job as an artist, illustrating sporting events and city scenes for the , 3 May) Before 17 May: Calder moves into his father's studio, 11 East Fourteenth Street, while his parents are traveling in Europe.

Alice Prin, the Best Known Artist's Model in Europe." 23 Gravures de Arp, Calder, Chirico, Erni, Ernst, Fernandez, Giacometti, Ghika, Gonzalez, Hélion, Kandinsky, Léger, Lipchitz, Magnelli, Miró, Nicholson, Ozenfant, Picasso, Seligmann, Taeuber-Arp, Torres-Garcia, Vulliamy, Zadkine (1944). (Calder 1966, 59–61, 66–67; ASL, registration records) January–April: Calder enrolls again at the Art Students League, taking classes in portrait painting with George Luks, head and figure with Guy Pène du Bois, a drawing class with Boardman Robinson, and an etching class.

16mm, color, sound (English); two versions: 28 min. Directed by Carlos Vilardebo in collaboration with André Bac, Marcel Beau, Jacques Decerf and Anne-Marie Cotret; narrated by Alexander Calder; music provided by Louisa Calder from various recordings. Produced, directed and written by Jean-Marie Drot; narrated by Jean-Marie Drot and Ed Wegman (NET). (Calder 1966, 49–50) Spring: Calder attends night classes in drawing with Clinton Balmer at the New York Public School on Forty-second Street.

Radiodiffusion Télévision Française-National Éducational Télévision, Paris. (Calder 1966, 48–49) Fall: Calder joins the staff of magazine in St. The efficiency engineers—Miller, Franklin, Basset, and Co.—hire Calder to do fieldwork for the Truscon Steel Company in Youngstown, Ohio.

Calder stays with the architect Walter Bliss and his wife to graduate from Lowell High School.

Texts by James Johnson Sweeney, Michel Butor, Jean Davidson, Giovanni Carandente, Pol Bury, Gabrielle Buffet-Picabia, and Francis Miroglio; reprinted texts by Jean-Paul Sartre and Fernand Léger. (Calder 1966, 36–37; Hayes 1977, 43–44) Spring: Stirling and Nanette move to Berkeley to be near Stirling's next commission, the Oakland Auditorium.

At that time, on Euclid Avenue in Pasadena, I got my first tools and was given the cellar with its window as a workshop. My workshop became some sort of a center of attention; everybody came in.

Calder's parents move to a ranch in Oracle, Arizona, leaving Calder and his sister Peggy in the care of Dr. Calder befriends Riley, an elderly man recuperating at the ranch who shows him "how to make a wigwam out of burlap bags pinned together with nails." (Calder 1966, 16) Fall: The Calders move to Pasadena, California.

(Calder 1966, 39; Hayes 1977, 55) September: Calder begins his studies at Stevens Institute of Technology, Hoboken, New Jersey, where he takes courses which include chemistry, mechanical drawing, shop practice, and surveying, among others.